E v e r y   L e t t e r   M a t t e r s
TYPE TYPE TYPE TYPE TYPE TYPE

FONT Philosophy

Every Letter Tells A Story

The Immortals

1957 • Switzerland

Helvetica

Aa

The invisible empire. Max Miedinger created neutrality incarnate—a typeface so perfect it disappeared. It doesn't speak; it vanishes. The ultimate tool of clarity.

1798 • Italy

Bodoni

Aa

Drama personified. Giambattista Bodoni pushed contrast to its breaking point—hairline thins against monumental thicks. The supermodel of typography.

1927 • Germany

Futura

Aa

Geometry made readable. Paul Renner's circles, triangles, and squares became the voice of progress. It went to the moon. Literally.

1530 • France

Garamond

Aa

The eternal classic. 500 years later, still setting books. More words have been printed in Garamond than any other typeface in human history.

TYPE
01

Legibility Above Ego

If they can't read it, you've failed. Your clever font choice means nothing if it sacrifices comprehension for style.

02

Two Fonts Maximum

One for headlines, one for body. A third for code if you must. Any more is chaos masquerading as creativity.

03

Context Is Everything

Comic Sans on a death certificate. Times New Roman on a party invitation. Feel the wrongness? That's context.

04

Embrace White Space

Space isn't emptiness—it's breathing room for ideas. Let your typography breathe or watch it suffocate.

05

Respect The Classics

Helvetica, Garamond, Futura. They're not boring—they're bulletproof. Proven across centuries and contexts.

Comic Sans

The font that became a meme. Created for Microsoft Bob in 1994, it escaped into the wild and destroyed credibility everywhere it went. A cautionary tale of good intentions gone catastrophically wrong.

If I had never dropped in on that single calligraphy course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts

— Steve Jobs, Stanford 2005

One calligraphy class at Reed College changed computing forever. Before 1984, computers displayed one font—ugly, monospaced, functional. Jobs brought soul to the machine. The Mac shipped with Chicago, Geneva, Monaco—fonts with names, personalities, purposes. Today, Apple's San Francisco adapts intelligently across every device. That dropout's calligraphy class didn't just change Apple. It changed how humanity communicates.

Typography is the voice of words, the clothes ideas wear, the body language of thought. Choose wisely. Every font is a decision.